A “the” at the beginning of a word or phrase that would normally be capitalized—including the name of an organization or the title of a work—presents a dilemma. When is the “the” capitalized? In Chicago style, the answer comes down to a few rules that can help you decide in each case.
Even the most straightforward rule will be subject to an exception sooner or later. That’s why CMOS qualifies so many of its rules with usually or generally. But some exceptions are so common that they deserve to be called rules themselves.
Most editors encounter at least the occasional symbol in the documents they edit, so it’s good to know a little bit about them. Thanks to Unicode, it’s easy to find out a symbol’s name—which can help you figure out whether it’s the right one in the right context.
Ellen Jovin is a cofounder of Syntaxis, a communication skills training firm based in New York City. The author of several books for business professionals, she has a BA in German studies from Harvard and an MA in comparative literature from UCLA.
Earlier this year, Fiction+ considered whether a novel should have a table of contents. Although it might seem to be a matter of personal preference, there are strong practical reasons for including or not including a TOC, depending on a book’s genre and format.
People who work in publishing have their own vocabulary, including many terms related to printing, typesetting, and design. You’ll find some of these terms in the glossary at the back of CMOS. How many do you know?
Careless quoting is a writing crime. Fiction or nonfiction, a writer must be scrupulous in quoting words precisely and crediting their source. Most publishing contracts hold the author liable for misrepresentations and plagiarism, but even without that legal pressure, a writer, of all people, should naturally respect the intellectual property of others.
Quotation marks, or “quotes” for short, like to work in pairs. But they’re not all the same. They can be double or single, left or right, curly or straight. Part of an editor’s job is to know which marks to use in which context—and to make sure they’ve been used consistently.
Not all fictional characters are meant to be smooth-tongued and lyrical in their speech. Rather, just like us, they sometimes mumble or stumble. Giving a character flawed speech is a way to make dialogue more realistic. And this very human kind of talking often involves the use of interjections.
Parentheses and brackets (specifically, square brackets) normally come in pairs, as do other types of brackets and braces. Their main job is to set things off from their surroundings.
A chapter is a chunk of a book that comes to a recognizable end, usually marked by a page break or by an extra space followed by a new numbered or titled chapter. Chapters give readers of long works a place to pause. They provide a rhythm to the experience of reading.